Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

暂无剧情简介

Five attempts to say the most important thing, through dumbness and fear of being misunderstood. Five steps to yourself, through the reflection in the closest people. Five breaths to go on, overcoming emptiness and fear of death, in search and finding love. Different heroes go this way with only one desire to be heard and accepted as they are. But is it possible?

在爱丽舍宫，总统目睹了他的卫生部长自杀……这是一个精彩且充满波折的政治寓言故事，由拉希达·布拉克尼（Rachida Brakni）、蒂埃里·诺维奇（Thierry Neuvic）和理查德·贝里（Richard Berry）共同演绎。一天晚上，在爱丽舍宫的私人寓所里，极受欢迎的卫生部长弗雷德里克·达勒姆（Frédéric Dalème）在与总统进行了一场激烈的讨论后，开枪自杀。

Fourteen-year old student Ayumi has leukemia and starts losing hair. She becomes depressed but receives overwhelming support from her classmates when they all shave their heads for her.

Four college students are accused of raping and murdering their classmate. Are they criminals or innocent?

A boy seeks the true friendship with a pirate and a magician and discovers that the baseball is the key to the happiness.

This is a story about the emotional connection between a young man with no clear purpose and a middle-aged man who abandoned his wife, children, and hometown but is hiding his pain inside.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

Film about the third 'Weltfestspiele der Jugend und Studenten für den Frieden' in East Berlin, 1951. West Germany is represented as a degenerate country which has been occupied by the Americans and is still inclined to fascism. We see the construction of the stadium, the departure and arrival of the delegations, the opening and closing by Enrico Berlinguer, a sports event, the parade of the delegations, a visit to Potsdam, folk dancing, and police violence against youngsters from West Berlin who want to visit East Germany because of the games. The film is interlaced with shots from the Korean War and a parade by NATO-troops in West Germany. Featuring Robert Montgomery, Konrad Adenauer, Wilhelm Pieck, Dwight Eisenhower, Robert Leer and Erich Honecker. The crew comprised no less than 24 cameramen. This project was the first great colour film Ivens co-operated in.